2,750 Royalty-Free Audio Tracks for "C Minor Scales"

45:54:64 = F#+, A+, C = C, Eb, Gb-

5:6:7 = E, G, B7b = C, Eb, G7b.

John Stepan Zamecnik's 1913 composition Mysterioso - Burglar Music 1, which appeared in Sam Fox Moving Picture Music volume 1.

Octave and Minor third on C

Minor tenth on C - As MIDI

Minor triad on A in first inversion. Created by Hyacinth (talk) 18:56, 23 November 2010 using Sibelius 5.

Minor chord on A.

Minor thirteenth on F, as MIDI

The opening theme to Rimsky-Korsakov's Scheherazade is, "simply a descending whole-tone scale with diatonic trimmings." See Abraham, Gerald. "The Whole-Tone Scale in Russian Music", p.602, The Musical Times, Vol. 74, No. 1085. (Jul., 1933), pp. 602-604.[non-whole-tone scale notes in red].

Scale of the fingering chart for the tabor pipe.

Parrallelism in music (example).

Example of modulation to the dominant from vocal music (1836).

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

Seventh suspension four chord on C. Created by Hyacinth (talk) 20:28, 31 May 2011 (UTC) using Sibelius 5.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

C-A-F-F-E-E, dreistimmiger Kanon von C. G. Hering

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

Half-diminished seventh chord on C

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

When The Mockingbirds Are Singing In The Wildwood by Frank C. Stanley

32 Variations in C minor, WoO 80.

Diminished octave on C♯ = C♮. Equal-tempered: 211/12:1 = 1100 cents.

Dominant thirteenth: four-voice version.

*Perfect fifteenth on C = C". Just: 4:1 = 2400 cents. Equal-tempered: 22:1 = 2400 cents. MIDI pitch bend: none

Eighth octave on C. 16/1: 4800 cents.

Dominant seventh flat nine chord on C - As MIDI

Dominant thirteenth chord in four-part writing.

Octave on C. 32/1: 6000 cents.

Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.

Octave on C. 32/1: 6000 cents.

Octave on C. 16/1: 4800 cents.

Octave on C. 1/8: 3600 cents.

Octave on C. 1/4: 2400 cents.

Octave on C. 8/1: 3600 cents.

Lydian augmented polychord on C: 04689e = C,E,F#,G#,A,B.

Major triad on C. Created using Sibelius.

Suite for Microtonal Piano microtonal tuning arranged in a chromatic scale. Created by Hyacinth (talk) 14:26, 17 January 2012 (UTC) using Sibelius 5.

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Nokturn e-moll op. posth. 72 nr 1Nocturne in E minor, Op. posth. 72 no. 1

Mazurka no. 4 in a minor, op. 17

Nokturn f-moll op. 55 nr 1Nocturne in F minor, Op. 55 no. 1

Bach; Chaconne d-moll Heifetz

Waltz in A minor, B. 150, KK IVb/11, P. 2/11, often designated as No. 19, is a waltz for solo piano

Add6 chord on C

Major chord on C in 17 equal temperament (0,6,10).

Augmented triad on C, As MIDI

Minor ninth augmented fifth chord on C. C E G♯ B♭ D♭.

Major chord on C in 19 equal temperament. 0,6,11. All notes within 8 cents of just intonation (rather than 14 for 12 equal temperament).